John Brown's Dissertation (1763) on Poetry and Music: An Eighteenth-Century View on Music's Role in the Rise and Fall of Civilization

Davison, A

John Brown's Dissertation (1763) on Poetry and Music: An Eighteenth-Century View on Music's Role in the Rise and Fall of Civilization

Davison, A

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Publisher:: Brepols Publishers
Publication Type:: Chapter
Citation:: Late Eighteenth-Century Music and Visual Culture, 2017, pp. 55 - 70
Issue Date:: 2017

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Field	Value	Language
dc.contributor.author	Davison, A https://orcid.org/0000-0002-3478-0231	en_US
dc.contributor.editor	Eisen, C	en_US
dc.contributor.editor	Davison, A https://orcid.org/0000-0002-3478-0231	en_US
dc.date.issued	2017	en_US
dc.identifier.citation	Late Eighteenth-Century Music and Visual Culture, 2017, pp. 55 - 70	en_US
dc.identifier.isbn	2503546293	en_US
dc.identifier.isbn	9782503546292	en_US
dc.identifier.uri	http://hdl.handle.net/10453/118906
dc.description.abstract	In this volume, nine prominent scholars employ a set of interdisciplinary methodological tools in order to come to a comprehensive understanding of the rich tapestry of eighteenth-century musical taste, performance, consumption and ...	en_US
dc.publisher	Brepols Publishers	en_US
dc.relation.ispartof	Late Eighteenth-Century Music and Visual Culture	en_US
dc.title	John Brown's Dissertation (1763) on Poetry and Music: An Eighteenth-Century View on Music's Role in the Rise and Fall of Civilization	en_US
dc.type	Chapter
utslib.location	Turnhout, Belgium	en_US
utslib.for	1901 Art Theory and Criticism	en_US
utslib.for	190409 Musicology and Ethnomusicology	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Arts and Social Sciences
utslib.copyright.status	closed_access
pubs.consider-herdc	true	en_US
pubs.place-of-publication	Turnhout, Belgium	en_US

Abstract:

In this volume, nine prominent scholars employ a set of interdisciplinary methodological tools in order to come to a comprehensive understanding of the rich tapestry of eighteenth-century musical taste, performance, consumption and ...

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http://hdl.handle.net/10453/118906