An Indeterminate Archive for David Rokeby's Giver of Names

Muller, E; jones, C

An Indeterminate Archive for David Rokeby's Giver of Names

Muller, E jones, C

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Publisher:: University of Melbourne
Publication Type:: Conference Proceeding
Citation:: Re:Live 3rd International Conference on Media Art Histories, 2009, pp. 114 - 119
Issue Date:: 2009-01

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Full metadata record

Field	Value	Language
dc.contributor.author	Muller, E	en_US
dc.contributor.author	jones, C	en_US
dc.contributor.editor	Cubitt, S	en_US
dc.contributor.editor	Thomas, P	en_US
dc.date	2009-11-23	en_US
dc.date.issued	2009-01	en_US
dc.identifier.citation	Re:Live 3rd International Conference on Media Art Histories, 2009, pp. 114 - 119	en_US
dc.identifier.isbn	978-0-9807186-3-8	en_US
dc.identifier.uri	http://hdl.handle.net/10453/12084
dc.description.abstract	This paper describes a new method developed by the authors for integrating experiential material into the documentation of media art works. It looks at the case study of David Rokeby's artwork Giver of Names, and explores how such experiential material sheds light on the nature of the work.	en_US
dc.publisher	University of Melbourne	en_US
dc.relation.ispartof	Re:Live 3rd International Conference on Media Art Histories	en_US
dc.relation.ispartof	Re:Live Media Art Histories	en_US
dc.title	An Indeterminate Archive for David Rokeby's Giver of Names	en_US
dc.type	Conference Proceeding
utslib.location	Melbourne, Australia	en_US
utslib.location.activity	Melbourne, Australia	en_US
utslib.for	210201 Archival, Repository and Related Studies	en_US
utslib.for	190203 Electronic Media Art	en_US
dc.location.activity	Melbourne, Australia	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building/School of Design
utslib.copyright.status	open_access
pubs.consider-herdc	true	en_US
pubs.place-of-publication	Melbourne, Australia	en_US
pubs.start-date	2009-11-23	en_US

Abstract:

This paper describes a new method developed by the authors for integrating experiential material into the documentation of media art works. It looks at the case study of David Rokeby's artwork Giver of Names, and explores how such experiential material sheds light on the nature of the work.

Please use this identifier to cite or link to this item:

http://hdl.handle.net/10453/12084