First Person Kodachrome

Taylor, A

First Person Kodachrome

Taylor, A

Permalink

Publisher:: ABC TV and self
Citation:: First Person Kodachrome, 2014
Issue Date:: 2014

Closed Access

	Filename	Description	Size
	First Person Kodachrome.mp4	Published version	241.96 MB	MP4	View/Open

Copyright Clearance Process

Recently Added
In Progress
Closed Access

This item is closed access and not available.

Full metadata record

Field	Value	Language
dc.contributor.author	Taylor, A https://orcid.org/0000-0002-4739-2860	en_US
dc.date.issued	2014	en_US
dc.identifier.citation	First Person Kodachrome, 2014	en_US
dc.identifier.uri	http://hdl.handle.net/10453/121673
dc.description.abstract	First Person Kodachrome is a personal essay film about family photos, memory and loss.	en_US
dc.format	Documentary film/ digital video	en_US
dc.publisher	ABC TV and self	en_US
dc.relation.ispartof	First Person Kodachrome	en_US
dc.title	First Person Kodachrome	en_US
utslib.location	Australia	en_US
utslib.for	1902 Film, Television and Digital Media	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Arts and Social Sciences
utslib.copyright.status	closed_access
pubs.consider-herdc	false	en_US
pubs.place-of-publication	Australia	en_US
pubs.rights-statement	Research background First Person Kodachrome is an essay film that documents the slide show’s migration from the lounge-room, class room and corporate boardroom to the art gallery and installation space sitting in the field of Film, TV and Digital Media. It intersects with the body of screen-based production and theory investigating a space between cinema and photography (eg. Nostalgia (Frampton,1971), 24 Hour Psycho (Gordon, 1993), Death 24x a Second (Mulvey, 2006)). Marker’s La Jetée (1962) showed that it was possible to make a film (almost) entirely from still images and demonstrated photography’s inter-relationship with cinema. Reversing the equation, Cindy Sherman’s Untitled Film Stills (1977-80) referenced ‘50s Hollywood B-films and demonstrated cinema’s influence on contemporary photography. Sadness (1999) made a new hybrid from old forms by combining cinema, photography and a William Yang slide show monologue. First Person Kodachrome extends the work of Ayres’ and Yang’s Sadness through its intermingling of cinema, photography and first-person narration. How did slide shows influence contemporary art and cinema? Research Contribution The film demonstrates that the slide show’s intersection with art /photography/cinema led to it playing a significant part in the ‘turn’ towards autobiographical art and first-person documentary. Research Significance First Person Kodachrome was commissioned by ABC Arts and screened to over 250,000 viewers.	en_US

Abstract:

First Person Kodachrome is a personal essay film about family photos, memory and loss.

Please use this identifier to cite or link to this item:

http://hdl.handle.net/10453/121673