Designing for Conversational Interaction

Johnston, AJ; Candy, L; Edmonds, EA

Designing for Conversational Interaction

Johnston, AJ

Candy, L Edmonds, EA

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Publisher:: Carnegie Mellon University
Publication Type:: Conference Proceeding
Citation:: Proceedings of New Interfaces for Musical Expression (NIME), 2009, pp. 207 - 212
Issue Date:: 2009-01

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Field	Value	Language
dc.contributor.author	Johnston, AJ https://orcid.org/0000-0001-8306-7507	en_US
dc.contributor.author	Candy, L	en_US
dc.contributor.author	Edmonds, EA	en_US
dc.contributor.editor	Dannenberg Roger, B	en_US
dc.contributor.editor	Ries Kristi, D	en_US
dc.date	2009-06-04	en_US
dc.date.issued	2009-01	en_US
dc.identifier.citation	Proceedings of New Interfaces for Musical Expression (NIME), 2009, pp. 207 - 212	en_US
dc.identifier.uri	http://hdl.handle.net/10453/12651
dc.description.abstract	In this paper we describe an interaction framework which classifies musicians interactions with virtual musical instruments into three modes: instrumental, ornamental and conversational. We argue that conversational interactions are the most difficult to design for, but also the most interesting. To illustrate our approach to designing for conversational interactions we describe the performance work Partial Reflections 3 for two clarinets and interactive software. This software uses simulated physical models to create a virtual sound sculpture which both responds to and produces sounds and visuals.	en_US
dc.publisher	Carnegie Mellon University	en_US
dc.relation.ispartof	Proceedings of New Interfaces for Musical Expression (NIME)	en_US
dc.relation.ispartof	New Interfaces for Musical Expression	en_US
dc.title	Designing for Conversational Interaction	en_US
dc.type	Conference Proceeding
utslib.location	Pittsburgh, USA	en_US
utslib.location.activity	Pittsburgh, USA	en_US
utslib.for	190407 Music Performance	en_US
utslib.for	080602 Computer-Human Interaction	en_US
dc.location.activity	Pittsburgh, USA	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Engineering and Information Technology
pubs.organisational-group	/University of Technology Sydney/Faculty of Engineering and Information Technology/School of Computer Science
pubs.organisational-group	/University of Technology Sydney/Faculty of Engineering and Information Technology/School of Software
pubs.organisational-group	/University of Technology Sydney/Strength - HCTD - Human Centred Technology Design
utslib.copyright.status	open_access
pubs.consider-herdc	true	en_US
pubs.place-of-publication	Pittsburgh, USA	en_US
pubs.start-date	2009-06-04	en_US

Abstract:

In this paper we describe an interaction framework which classifies musicians interactions with virtual musical instruments into three modes: instrumental, ornamental and conversational. We argue that conversational interactions are the most difficult to design for, but also the most interesting. To illustrate our approach to designing for conversational interactions we describe the performance work Partial Reflections 3 for two clarinets and interactive software. This software uses simulated physical models to create a virtual sound sculpture which both responds to and produces sounds and visuals.

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http://hdl.handle.net/10453/12651