Interaction, Narrative and Animation in Live Theatre

Bluff, A; Johnston, A; Clarkson, D

Interaction, Narrative and Animation in Live Theatre

Bluff, A

Johnston, A

Clarkson, D

Permalink

Publication Type:: Journal Article
Citation:: IEEE Computer Graphics and Applications, 2018, 38 (2), pp. 8 - 14
Issue Date:: 2018-03-01

Closed Access

	Filename	Description	Size
	Interaction Narrative and Animation in Live Theatre.pdf	Accepted Manuscript Version	4.69 MB	Adobe PDF	View/Open

Copyright Clearance Process

Recently Added
In Progress
Closed Access

This item is closed access and not available.

Full metadata record

Field	Value	Language
dc.contributor.author	Bluff, A https://orcid.org/0000-0003-3215-279X	en_US
dc.contributor.author	Johnston, A https://orcid.org/0000-0001-8306-7507	en_US
dc.contributor.author	Clarkson, D	en_US
dc.date.issued	2018-03-01	en_US
dc.identifier.citation	IEEE Computer Graphics and Applications, 2018, 38 (2), pp. 8 - 14	en_US
dc.identifier.issn	0272-1716	en_US
dc.identifier.uri	http://hdl.handle.net/10453/130401
dc.description.abstract	© 1981-2012 IEEE. Before embarking on their most ambitious project to date, a cosmically-themed participatory theatre event with interactive 3D visuals housed inside a bespoke dome structure, the interactive artists Andrew Johnston and Andrew Bluff joined the director of Stalker Theatre, David Clarkson in a round-table discussion. They reflected on what it was like to combine physical performance with interactive graphics in a childrens theatre show and discussed how the 360° format might be used to explore the cosmos in their upcoming Big Skies production.	en_US
dc.relation.ispartof	IEEE Computer Graphics and Applications	en_US
dc.relation.isbasedon	10.1109/MCG.2018.021951627	en_US
dc.subject.classification	Software Engineering	en_US
dc.title	Interaction, Narrative and Animation in Live Theatre	en_US
dc.type	Journal Article
utslib.citation.volume	2	en_US
utslib.citation.volume	38	en_US
utslib.for	1902 Film, Television and Digital Media	en_US
utslib.for	0801 Artificial Intelligence and Image Processing	en_US
utslib.for	0906 Electrical and Electronic Engineering	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Engineering and Information Technology
pubs.organisational-group	/University of Technology Sydney/Faculty of Engineering and Information Technology/School of Computer Science
pubs.organisational-group	/University of Technology Sydney/Faculty of Engineering and Information Technology/School of Software
pubs.organisational-group	/University of Technology Sydney/Strength - HCTD - Human Centred Technology Design
utslib.copyright.status	closed_access
pubs.issue	2	en_US
pubs.publication-status	Published	en_US
pubs.volume	38	en_US

Abstract:

© 1981-2012 IEEE. Before embarking on their most ambitious project to date, a cosmically-themed participatory theatre event with interactive 3D visuals housed inside a bespoke dome structure, the interactive artists Andrew Johnston and Andrew Bluff joined the director of Stalker Theatre, David Clarkson in a round-table discussion. They reflected on what it was like to combine physical performance with interactive graphics in a childrens theatre show and discussed how the 360° format might be used to explore the cosmos in their upcoming Big Skies production.

Please use this identifier to cite or link to this item:

http://hdl.handle.net/10453/130401