Crafting Queer Spaces: privacy and posturing

McNeil, PK

Crafting Queer Spaces: privacy and posturing

McNeil, PK

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Publisher:: Ashgate
Publication Type:: Chapter
Citation:: Fashion, Interior Design and the Contours of Modern Identity, 2010, 1, pp. 19 - 41
Issue Date:: 2010-01

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Field	Value	Language
dc.contributor.author	McNeil, PK https://orcid.org/0000-0002-2151-4196	en_US
dc.contributor.editor	Myzelev, A	en_US
dc.contributor.editor	Potvin, J	en_US
dc.date.issued	2010-01	en_US
dc.identifier.citation	Fashion, Interior Design and the Contours of Modern Identity, 2010, 1, pp. 19 - 41	en_US
dc.identifier.isbn	978-0-7546-6915-9	en_US
dc.identifier.uri	http://hdl.handle.net/10453/14309
dc.description.abstract	Challenging the notion that fashion and furniture were or are separate enterprises and distinct material aesthetic traditions, this collection focuses on three material and conceptual links central to understanding the relationship between interior design and fashion-the body, fabric, and space. The volume considers the changing visual, material and spatial character, methodological challenges posed by, and formal, political and historiographical significance of, a wide range of British, European and North American case studies since the eighteenth century. The volume's eleven case studies allow the reader to understand connecting notions behind the formation of interiors and fashionable clothing. The essays combine a wide range of significant and challenging new examples alongside powerful reversionary analyses of the various periods, artists, designers, and their best and significant objects. Fashion, Interior Design and the Contours of Modern Identity is concerned not only with fabric, but also with the body and the implications of embodiment in the practices of both design domains which are equally invested in the comfort, aesthetic pleasure, extension and support of the body in different and yet seemingly identical ways.	en_US
dc.publisher	Ashgate	en_US
dc.relation.ispartof	Fashion, Interior Design and the Contours of Modern Identity	en_US
dc.title	Crafting Queer Spaces: privacy and posturing	en_US
dc.type	Chapter
utslib.location	Farnham, England	en_US
utslib.for	120301 Design History and Theory	en_US
utslib.citation.edition	1	en_US
dc.location.activity	Christchurch, New Zealand
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building/School of Design
pubs.organisational-group	/University of Technology Sydney/Strength - CCDP - Contemporary Design Practice
utslib.copyright.status	closed_access
pubs.consider-herdc	true	en_US
pubs.edition	1	en_US
pubs.place-of-publication	Farnham, England	en_US

Abstract:

Challenging the notion that fashion and furniture were or are separate enterprises and distinct material aesthetic traditions, this collection focuses on three material and conceptual links central to understanding the relationship between interior design and fashion-the body, fabric, and space. The volume considers the changing visual, material and spatial character, methodological challenges posed by, and formal, political and historiographical significance of, a wide range of British, European and North American case studies since the eighteenth century. The volume's eleven case studies allow the reader to understand connecting notions behind the formation of interiors and fashionable clothing. The essays combine a wide range of significant and challenging new examples alongside powerful reversionary analyses of the various periods, artists, designers, and their best and significant objects. Fashion, Interior Design and the Contours of Modern Identity is concerned not only with fabric, but also with the body and the implications of embodiment in the practices of both design domains which are equally invested in the comfort, aesthetic pleasure, extension and support of the body in different and yet seemingly identical ways.

Please use this identifier to cite or link to this item:

http://hdl.handle.net/10453/14309