Contemporary Hybrid Painting: The Aesthetics of a Post-Medium Condition,

Titmarsh, M

Contemporary Hybrid Painting: The Aesthetics of a Post-Medium Condition,

Titmarsh, M

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Publisher:: Transdisciplinary Image Conference
Publication Type:: Conference Proceeding
Citation:: New Imaging: Transdisciplinary strategies for art beyond the new media, 2010, pp. 132 - 139
Issue Date:: 2010-01

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Field	Value	Language
dc.contributor.author	Titmarsh, M https://orcid.org/0000-0002-1033-3867	en_US
dc.contributor.editor	Baker, S	en_US
dc.contributor.editor	Thomas, P	en_US
dc.date	2010-11-05	en_US
dc.date.issued	2010-01	en_US
dc.identifier.citation	New Imaging: Transdisciplinary strategies for art beyond the new media, 2010, pp. 132 - 139	en_US
dc.identifier.isbn	978-0-9807186-6-9	en_US
dc.identifier.uri	http://hdl.handle.net/10453/16566
dc.description.abstract	This paper considers the new ontological paradigm of contemporary art that evokes another discourse, a 'post aesthetics' that overcomes the subjective bias of modern philosophical aesthetics in favour of a primary relationship to things and their mode of presence in the world. As a result, contemporary expanded painting is shown to be a radical revision of art , a moment of ontological 'presencing' favouring spatial environments and temporal events that reveal 'what is' and 'what matters' in a contemporary techno-scientific age.	en_US
dc.publisher	Transdisciplinary Image Conference	en_US
dc.relation.ispartof	New Imaging: Transdisciplinary strategies for art beyond the new media	en_US
dc.relation.ispartof	International Conference on Transdisciplinary Imaging at the Intersections between Art, Science and Culture	en_US
dc.title	Contemporary Hybrid Painting: The Aesthetics of a Post-Medium Condition,	en_US
dc.type	Conference Proceeding
utslib.location	Sydney	en_US
utslib.location.activity	Sydney	en_US
utslib.for	1203 Design Practice and Management	en_US
dc.location.activity	Sydney	en_US
dc.location.activity	ISI:000278528800014
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building/School of Design
utslib.copyright.status	open_access
pubs.consider-herdc	true	en_US
pubs.place-of-publication	Sydney	en_US
pubs.start-date	2010-11-05	en_US

Abstract:

This paper considers the new ontological paradigm of contemporary art that evokes another discourse, a 'post aesthetics' that overcomes the subjective bias of modern philosophical aesthetics in favour of a primary relationship to things and their mode of presence in the world. As a result, contemporary expanded painting is shown to be a radical revision of art , a moment of ontological 'presencing' favouring spatial environments and temporal events that reveal 'what is' and 'what matters' in a contemporary techno-scientific age.

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http://hdl.handle.net/10453/16566