Portfolio: Call and…? (a)Response and Currawong Call

Wilcox, F

Portfolio: Call and…? (a)Response and Currawong Call

Wilcox, F

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Publication Type:: Creative Work (performance)
Citation:: 2022
Issue Date:: 2022-08-25

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Field	Value	Language
dc.contributor.author	Wilcox, F https://orcid.org/0000-0002-9031-6492
dc.date	2022-08-25
dc.date.accessioned	2023-07-17T00:47:38Z
dc.date.available	2023-07-17T00:47:38Z
dc.date.issued	2022-08-25
dc.identifier.citation	2022
dc.identifier.uri	http://hdl.handle.net/10453/171528
dc.description.abstract	Call and…? (a)Response and Currawong Call are two electroacoustic works for instruments and tape that musically investigate birdsong from the perspective of ‘posthuman thought’.
dc.format	Call and…? (a)Response and Currawong Call are two works for instruments and tape that musically investigate birdsong, from the perspective of ‘posthuman thought’. Call and…? (a)Response for soprano, clarinets, marimba, and tape (20 mins); Currawong Call for solo instrument and tape (6 mins). Chamber music composition, performances and installation
dc.format.extent	2
dc.language	en
dc.rights	info:eu-repo/semantics/restrictedAccess
dc.title	Portfolio: Call and…? (a)Response and Currawong Call
dc.type	Creative Work (Performance)
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Arts and Social Sciences
utslib.copyright.status	in_progress	*
pubs.consider-herdc	true
dc.date.updated	2023-07-17T00:47:37Z
pubs.finish-date	2023-01-27
pubs.place-of-publication	Blue Mountains Cultural Centre; Nauti Studios; Woodburn Creatives
pubs.publication-status	Published
pubs.start-date	2022-08-25
dc.location	Blue Mountains Cultural Centre; Nauti Studios; Woodburn Creatives
pubs.patent-number	Portfolio: Call and…? (a)Response for soprano, clarinets, marimba, and tape (20 mins); Currawong Call for solo instrument and tape (6 mins)

Abstract:

Call and…? (a)Response and Currawong Call are two electroacoustic works for instruments and tape that musically investigate birdsong from the perspective of ‘posthuman thought’.

Please use this identifier to cite or link to this item:

http://hdl.handle.net/10453/171528