The Space in Between Us: Photographic Portraiture, Social Distancing and Touch

Fahd, C

The Space in Between Us: Photographic Portraiture, Social Distancing and Touch

Fahd, C

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Publisher:: Intellect (UK)
Publication Type:: Chapter
Citation:: Dystopian and Utopian Impulses in Art Making The World We Want, 2023, pp. 49-66
Issue Date:: 2023-02-24

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	GraceMcQuiltenD_2023_3TheSpaceInBetweenUsP_DystopianAndUtopianIm.pdf	Published version	5.69 MB	Adobe PDF	View/Open

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Field	Value	Language
dc.contributor.author	Fahd, C https://orcid.org/0000-0002-3404-1535
dc.contributor.editor	McQuilten, G
dc.contributor.editor	Palmer, D
dc.date.accessioned	2024-01-01T23:10:01Z
dc.date.available	2024-01-01T23:10:01Z
dc.date.issued	2023-02-24
dc.identifier.citation	Dystopian and Utopian Impulses in Art Making The World We Want, 2023, pp. 49-66
dc.identifier.isbn	1789386527
dc.identifier.isbn	9781789386523
dc.identifier.uri	http://hdl.handle.net/10453/173914
dc.description.abstract	It surveys a wide variety of practices, oriented from the perspective of Australia, New Zealand, and Asia. Art making has always responded to the world; the essays in this collection explore how artists are adapting to a world in crisis.
dc.format.extent	18
dc.language	en
dc.publisher	Intellect (UK)
dc.relation.ispartof	Dystopian and Utopian Impulses in Art Making The World We Want
dc.rights	info:eu-repo/semantics/closedAccess
dc.title	The Space in Between Us: Photographic Portraiture, Social Distancing and Touch
dc.type	Chapter
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building/School of Design
utslib.copyright.status	closed_access	*
pubs.consider-herdc	true
dc.date.updated	2024-01-01T23:09:59Z
pubs.place-of-publication	UK
pubs.publication-status	Published
dc.location	UK

Abstract:

It surveys a wide variety of practices, oriented from the perspective of Australia, New Zealand, and Asia. Art making has always responded to the world; the essays in this collection explore how artists are adapting to a world in crisis.

Please use this identifier to cite or link to this item:

http://hdl.handle.net/10453/173914