Opening DAWs to Interactive Music - Making an Orchestra
out of Soloists

Ong, Y; Sazdov, R; Johnston, A

Opening DAWs to Interactive Music - Making an Orchestra out of Soloists

Ong, Y

Sazdov, R Johnston, A

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Publication Type:: Presentation
Citation:: 2024
Issue Date:: 2024-09-05

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Field	Value	Language
dc.contributor.author	Ong, Y https://orcid.org/0000-0003-1554-357X
dc.contributor.author	Sazdov, R
dc.contributor.author	Johnston, A
dc.date.accessioned	2024-10-03T04:31:14Z
dc.date.available	2024-10-03T04:31:14Z
dc.date.issued	2024-09-05
dc.identifier.citation	2024
dc.identifier.uri	http://hdl.handle.net/10453/181164
dc.description.abstract	This paper explores a novel composition for an electronic taiko (e-taiko) that transforms a solo drummer into an orchestral presence aligning with NIME’s theme of “Tactility in a Hybrid World”. It presents a unique method applied to Logic Pro X bypassing complex learning curves associated with interactive music systems. The composition employs game audio and instrument design techniques to ensure each performance is unique and responsive. Key focus areas include enhancing the visceral behavioral and reflective stimuli levels between performer and audience. The paper discusses the development methodology concluding with feedback from the expert panel for future developments. This is aimed at offering insights for composers seeking to expand into reactive real-time compositions without a daunting learning curve.
dc.language	en
dc.rights	info:eu-repo/semantics/openAccess
dc.title	Opening DAWs to Interactive Music - Making an Orchestra out of Soloists
dc.type	Presentation
utslib.location.activity	HKU Theatre, Utrecht
pubs.organisational-group	University of Technology Sydney
pubs.organisational-group	University of Technology Sydney/Faculty of Engineering and Information Technology
pubs.organisational-group	University of Technology Sydney/Faculty of Engineering and Information Technology/School of Computer Science
utslib.copyright.status	open_access	*
dc.date.updated	2024-10-03T04:31:08Z

Abstract:

This paper explores a novel composition for an electronic taiko (e-taiko) that transforms a solo drummer into an orchestral presence aligning with NIME’s theme of “Tactility in a Hybrid World”. It presents a unique method applied to Logic Pro X bypassing complex learning curves associated with interactive music systems. The composition employs game audio and instrument design techniques to ensure each performance is unique and responsive. Key focus areas include enhancing the visceral behavioral and reflective stimuli levels between performer and audience. The paper discusses the development methodology concluding with feedback from the expert panel for future developments. This is aimed at offering insights for composers seeking to expand into reactive real-time compositions without a daunting learning curve.

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http://hdl.handle.net/10453/181164