Pricking

Maxwell, IJ; Pigram, DA; Schork, T; Nicholas, P

Pricking

Maxwell, IJ Pigram, DA Schork, T

Nicholas, P

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Publisher:: Powerhouse Museum
Publication Type:: Exhibition
Citation:: 2011 International Love Lace exhibition, 2011
Issue Date:: 2011

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	Filename	Description	Size
	Maxwell_Pigram_2010004917_Pricking.pdf	Published version	1.43 MB	Adobe PDF	View/Open

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Field	Value	Language
dc.contributor.author	Maxwell, IJ	en_US
dc.contributor.author	Pigram, DA	en_US
dc.contributor.author	Schork, T https://orcid.org/0000-0002-4583-2439	en_US
dc.contributor.author	Nicholas, P	en_US
dc.date	2011-07-30	en_US
dc.date.issued	2011	en_US
dc.identifier.citation	2011 International Love Lace exhibition, 2011	en_US
dc.identifier.uri	http://hdl.handle.net/10453/31832
dc.publisher	Powerhouse Museum	en_US
dc.relation.ispartof	2011 International Love Lace exhibition	en_US
dc.title	Pricking	en_US
dc.type	Exhibition
utslib.location	Powerhouse Museum	en_US
utslib.for	1203 Design Practice and Management	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building/School of Architecture
pubs.organisational-group	/University of Technology Sydney/Strength - CCDP - Contemporary Design Practice
pubs.organisational-group	/University of Technology Sydney/Students
utslib.copyright.status	closed_access
pubs.consider-herdc	false	en_US
pubs.finish-date	2012-04-01	en_US
pubs.place-of-publication	Powerhouse Museum	en_US
pubs.start-date	2011-07-30	en_US
pubs.rights-statement	Pricking is an interdisciplinary piece of design in the fields of algorithmic design, interaction design, computer graphics and craft production undertaken for the 2011 International Love Lace exhibition at the Powerhouse Museum. The exhibition contained 134 elements contributed by artists and designers from more than 20 countries selected through a curated multiphase international call against 5 core categories: traditional techniques, fashion, built environment, digital multimedia and student work. The work consisted of an interactive multi-touch table featuring bespoke lace making software and an accumulating suite of laser cut artefacts produced through the play and discovery of exhibition visitors. Pricking posits ‘lace’ as a shared cultural act of production via its interaction design, qualities and ability to allow multiple users to engage with a variety of formational structures (algorithms). Pricking invites users to collaborate and share their experiences and discoveries of the various pre-programmed systems thus enabling knowledge transfer. Users could also contribute their own creations to an ever-expanding digital collection. Selected pieces were also laser cut, ultimately becoming part of the larger Love Lace exhibition. Through algorithmic (computational) methodologies, the research demonstrates the capacity to embed material and chemical processes as active agents in the processes of drawing and form generation. The project’s key innovation is the implementation of force directed algorithms to embed material properties, resistances and responses within interactive modes of drawing. Pricking was awarded Winner of the Digital Multimedia category.	en_US

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http://hdl.handle.net/10453/31832