Counterfactual Departures (the Winter Garden photograph)

Field	Value	Language
dc.contributor.author	Oscar, S https://orcid.org/0000-0003-0543-0811
dc.contributor.editor	Palmer, D
dc.contributor.editor	Sluis, K
dc.contributor.editor	Bennet, A
dc.contributor.editor	Hulbert, S
dc.date	2024-03-01
dc.date.accessioned	2025-02-27T05:54:12Z
dc.date.available	2025-02-27T05:54:12Z
dc.date.issued	2024-03-01
dc.identifier.citation	Execute_Photography, 2024
dc.identifier.isbn	978-0-6480529-3-7
dc.identifier.uri	http://hdl.handle.net/10453/185393
dc.description.abstract	Photography is constantly dying and being reborn. AI represents the latest stage of photography’s transformation into a software output, cannibalising the camera and even transforming it into a set of executable text prompts. If we now think of photography as a kind of ‘program’, and that images are operational, actionable and scrapable, what does this mean for the future of the medium? execute_photography is both an exploration and a provocation, featuring work by Australian and international artists speculating on the social and political ramifications of photography’s afterlives. Artists include: Memo Akten, Amrita Hepi, Max Pinckers and Dries Depoorter, Rosa Menkman, Sara Oscar, J. Rosenbaum, Sebastian Schmieg and Alan Warburton Curated by Alison Bennett, Shane Hulbert, Daniel Palmer, Katrina Sluis Produced by RMIT Culture
dc.format	AI generated photography
dc.format.extent	3
dc.language	en
dc.relation.ispartof	Execute_Photography
dc.rights	info:eu-repo/semantics/restrictedAccess
dc.title	Counterfactual Departures (the Winter Garden photograph)
dc.type	Creative Work (Exhibition)
utslib.location.activity	The Conversation
pubs.organisational-group	University of Technology Sydney
pubs.organisational-group	University of Technology Sydney/Faculty of Design, Architecture and Building
pubs.organisational-group	University of Technology Sydney/Faculty of Design, Architecture and Building/School of Design
pubs.organisational-group	University of Technology Sydney/UTS Groups
pubs.organisational-group	University of Technology Sydney/UTS Groups/Visualisation Institute (VI)
utslib.copyright.status	open_access	*
pubs.consider-herdc	true
dc.date.updated	2025-02-27T05:54:06Z
pubs.finish-date	2024-05-04
pubs.place-of-publication	RMIT Galleries & Photo2024 International Festival of Photography
pubs.publication-status	Published
pubs.start-date	2024-03-01
dc.location	RMIT Galleries & Photo2024 International Festival of Photography

Abstract:

Photography is constantly dying and being reborn. AI represents the latest stage of photography’s transformation into a software output, cannibalising the camera and even transforming it into a set of executable text prompts. If we now think of photography as a kind of ‘program’, and that images are operational, actionable and scrapable, what does this mean for the future of the medium? execute_photography is both an exploration and a provocation, featuring work by Australian and international artists speculating on the social and political ramifications of photography’s afterlives. Artists include: Memo Akten, Amrita Hepi, Max Pinckers and Dries Depoorter, Rosa Menkman, Sara Oscar, J. Rosenbaum, Sebastian Schmieg and Alan Warburton Curated by Alison Bennett, Shane Hulbert, Daniel Palmer, Katrina Sluis Produced by RMIT Culture

Please use this identifier to cite or link to this item:

http://hdl.handle.net/10453/185393