| Field |
Value |
Language |
|
dc.contributor.author |
Munt, A |
en_US |
|
dc.date.issued |
2013-01 |
en_US |
|
dc.identifier.citation |
Poor Little Rich Girls (After Warhol), 2013 |
en_US |
|
dc.identifier.uri |
http://hdl.handle.net/10453/30683
|
|
|
dc.description.abstract |
Poor Little Rich Girls (After Warhol) is a cinematic homage to, and conceptual remake, of Andy Warhol's Poor Little Rich Girl (1965) featuring Factory superstar Edie Sedgwick. Some 50 years later: Warhol's film has been re-imagined, re-performed, remixed and revived for the digital age. Gracie Otto performs the role of Edie Sedgwick. Jack Sargeant re-stages the role of an off-screen Chuck Wein, a spectral presence in the film. Feature film invited to screen at: Vivid Sydney 2013: Festival of Light, Music and Ideas; The Sydney Underground Film Festival; The London and Portugal Underground Film Festival; Cine-B Festival (Chile). Excerpts shown at the MCA (Museum of Contemporary Art) in Sydney. J1 - ERA Context Statement to be supplied by author. |
en_US |
|
dc.format |
Feature Film (60 minutes) |
en_US |
|
dc.relation.ispartof |
Poor Little Rich Girls (After Warhol) |
en_US |
|
dc.title |
Poor Little Rich Girls (After Warhol) |
en_US |
|
utslib.location |
Vivid, London Underground Film Fest., Cine-Rebis Film Fest.(Portugal), Cine-B Film Fest,(Chile) |
en_US |
|
utslib.location.activity |
2013: Vivid Sydney; Sydney Underground FF; London/Portugal Underground FF; Cine/B FF (Chile) |
en_US |
|
utslib.for |
1902 Film, Television and Digital Media |
en_US |
|
utslib.for |
1905 Visual Arts and Crafts |
en_US |
|
dc.location.activity |
2013: Vivid Sydney; Sydney Underground FF; London/Portugal Underground FF; Cine/B FF (Chile) |
|
|
pubs.embargo.period |
Not known |
en_US |
|
pubs.organisational-group |
/University of Technology Sydney |
|
|
pubs.organisational-group |
/University of Technology Sydney/Faculty of Arts and Social Sciences |
|
|
pubs.organisational-group |
/University of Technology Sydney/Faculty of Arts and Social Sciences/FASS Faculty Administration |
|
|
utslib.copyright.status |
open_access |
|
|
pubs.consider-herdc |
false |
en_US |
|
pubs.place-of-publication |
Vivid, London Underground Film Fest., Cine-Rebis Film Fest.(Portugal), Cine-B Film Fest,(Chile) |
en_US |
|
pubs.rights-statement |
Research background This research is in the field of Film and Digital Media. J.J. Murphy has argued that Warhol’s films should be taken into account in the history of cinema. Amos Poe showed that the materials of Warhol’s films can be remade in ways that remain culturally relevant in changing contexts. Douglas Gordon’s work demonstrated that to appropriate an artist, whose own practice is already based on appropriation, questions the notion of the copy and creates a meta-level of affect. This project asks, what is legacy of Warhol’s films in the age of digital cinema? Research contribution The film demonstrates that with new digital filmmaking technologies and practices, Warhol’s legacy remains significant. The properties of digital cinematography together with post-production sampling and remix practices provide a new lens through which to view Warhol’s practice. Research significance This project has been selected for screening at Vivid Sydney: Festival of Light, Music & Ideas, the London Underground Film Festival, Cine-Rebis Film Festival (Portugal) and the Cine-B Film Festival (Chile). This project was peer-reviewed for Sightlines: Filmmaking in the Academy (RMIT). |
en_US |
