Basilica Chryssopolitissa, Paphos Plan of position of Corinthian column capitals from Paphos Theatre, Cyprus

Gothe, J

Basilica Chryssopolitissa, Paphos Plan of position of Corinthian column capitals from Paphos Theatre, Cyprus

Gothe, J

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Publication Type:: Exhibition
Citation:: Who has the amphora handle? Responses to Cyprus

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Field	Value	Language
dc.contributor.author	Gothe, J https://orcid.org/0000-0002-0422-498X	en_US
dc.date	2011-08-17	en_US
dc.identifier.citation	Who has the amphora handle? Responses to Cyprus	en_US
dc.identifier.uri	http://hdl.handle.net/10453/32750
dc.format	A3 digital print	en_US
dc.relation.ispartof	Who has the amphora handle? Responses to Cyprus	en_US
dc.title	Basilica Chryssopolitissa, Paphos Plan of position of Corinthian column capitals from Paphos Theatre, Cyprus	en_US
dc.type	Exhibition
utslib.location	University of Wollongong Gallery	en_US
utslib.for	1203 Design Practice and Management	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building/School of Design
utslib.copyright.status	open_access
pubs.place-of-publication	University of Wollongong Gallery	en_US
pubs.start-date	2011-08-17	en_US
pubs.rights-statement	In 2010 Jacqueline Gothe travelled with a Senior Artists Research Forum at the University of Wollongong to participate in an interdisciplinary research project in collaboration with University of Sydney Department of Archaeology at Paphos in Cyprus. As part of an interdisciplinary team of archaeologists, artists, performance artists and photographers Jacqueline Gothe documented the position of thirty-two Corinthian capitals that had been moved from the Theatre at Paphos to the Basilica Chryssopolitis. To date there is no existing record of the placements of the capitals. Following Gothe’s mapping of the position of the capitals each capital was measured, drawn and photographed for the archaeological team. This record of the positions of the capitals was included in the exhibition opened on 17August 2011 at the Faculty of Creative Arts Gallery at University of Wollongong as part of the exhibition curated by Professor Diana Wood Conroy ‘Who has the amphora handle?’ In 2013 The Australian Archaeological Institute (AAIA) hosted an exhibition titled ‘Response to Cyprus’ at the Centre of Classical and Near Eastern Studies of Australia (CCANESA). ‘Response to Cyprus’ curated by Professors Craig Barker and Diana Wood Conroy includes the map of the positions of the capitals in the Basilica Chryssopolitisa with the photographs by Derek Kreckler and drawings of the capitals by Diana Wood Conroy created for Nea Paphos Theatre Excavation in Cyprus. The project represents the culmination of eighteen years of collaborations between artists from University of Wollongong and archaeologists at the University of Sydney and its Nicholson Museum.	en_US

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